Bowfinger

How do you film an action movie if the star of it doesn't know he's in it? That's the main premise of Bowfinger directed by Frank Oz and starring Steve Martin and Eddie Murphy. Steve Martin plays Bobby Bowfinger, a producer who, when turned down by the movie star of the day (Eddie Murphy), decides to shoot a film around him without him knowing. The result is a quirky movie similar to the The Truman Show. This movie is one that is made for watching on a slow weekend or when your sick. I wouldn't go out directly to find this movie but if you happen across it on tv, it's worth a glace.

Darcy Darcy, where for art thou Darcy?

I love late nights, sifting through the channels in search of a movie. Often times, I find a movie that enchants me but have forgotten how much I love it. Tonight is one such night where I've happened across Pride and Prejudice. It was directed by Joe Wright and stars Keira Knightley and Matthew Macfadyen. I've read the book, written by Jane Austen and the film contains in some cases, the exact wording. English spoken in the 19th century seems much wordier than the vernacular of today however it contains a lot of charm. Along with the wording, the film contains an excellent love story. There's nothing better then watching two people fall in love and not recognize it. The audience begins rooting for the two lovers and when they finally realize they're meant for each other, both the characters and the viewers are content. All of Jane Austen's stories share a certain style and reflect the times in which they were written. Her books and films are definite classics which have withstood the test of time and worth experiencing.

What goes around comes around-literally

As many people know, I'm a Disney fan. I grew up on the Disney Classics and I refuse to throw out my old vhs tapes. One of my old favorites, The Jungle Book, went missing, oh maybe 7 years ago. I was heartbroken. I loved that movie and because of that love, I kept the video case in hopes that the lost tape would resurface some day. Do any of you out there know how depressing it can be when you reach for a tape cover or cd case and open it and it's empty? Especially when you wanted to watch that particular movie at the moment. This occurred every time I opened that empty Jungle Book video case.

Two days ago, I decided to do some spring cleaning and sort through my mess of a movie collection. I made a pile of empty vhs cases that, like the Jungle Book case, were waiting for their tape to reappear. I made a pile of vhs tapes and dvds I wanted to keep. And finally, I made a pile of movies that were labeled, "Why on earth would I watch this movie let a lone buy it?" As I looked forlornly at the pile of empty cases, I decided on one last search for my missing Disney Classic. I went through all of my old video tapes, opened every single one. Finally, I found the tape, hiding in a different movie case that I haven't touch in 7 years.

My movie had been found! The whole event has restored my faith in the saying "What goes around comes around." For those of you who have not taken the time to watch The Jungle Book I suggest you watch it. It's only 80 mins or so and it can bring back good old childhood memories.

Young Mr. Lincoln

I'm constantly confusing Tom Ford with John Ford. For those with the same confusion, Tom Ford is the fashion designer and John Ford is the director. I recently watched a film by John Ford called Young Mr. Lincoln. It stars Henry Fonda who has a striking resemblance to the real Abraham Lincoln. John Ford is known for his westerns so I was not sure what to expect when watching the film. I was pleasantly surprised. Tom Ford's style shines through however, it does not overshadow Henry Fonda's performance. I believe he plays Lincoln perfectly-a good old southern boy who has wit and knowledge too. I was also impressed because in the early days of sound films, actors, usually having to overact for the silent films, would overact in the sound films which makes them appear slightly cheesy. Henry Fonda does not overact which makes the whole performance refreshing. I definitely recommend this film if you're curious about good old Abe or if you want a good laugh.

Like Disney

On a mellow Tuesday night searching channels, I came across Showtime. Stardust was playing. I'd seen it when it came out but it had been a while, so I tuned in. After minutes of watching this movie, I remembered why I loved it. Stardust, directed by Matthew Vaughn and starring Charlie Cox, Claire Danes, Michelle Pfeiffer and Robert De Niro, is a fantasy story of a young man searching for a fallen star that comes in the form of a woman. He is seeking the star to win the love of a girl from the town of Wall however, 7 brothers and a band of witches are also racing to find the star. The plot is utterly unbelievable but the movie allows the viewer to get lost in a make believe world and escape our own for 2 hours. The movie reminds me of the Disney classics that we all know and love-So get lost in the fantasy world and give the film a gander when you get the chance.

Bob's Your Uncle

After watching an Alfred Hitchcock movie, a common patter arises. Most often in the movie, a murder occurs and an innocent man is imprisoned wrongfully for the crime. Frenzy directed by Hitchcock does not disappoint. The movie takes place in London, England during the early 70s. The protagonist is Richard Blaney, a man who is divorced, recently fired, and down on his luck. There's a "necktie murder" running amok and women are dropping like flies. When Richard Blaney is in the wrong place at the wrong time, he is accused of being the serial killer. The movie flows nicely and the plot, although dark, has a touch of comedy noir which keeps the subject of murder light. There are a couple hilarious moments, particularly the scene in a bed of a potato truck and the scenery of London is interesting. I recommend this film for anyone who likes a good mystery, enjoys the London scene, or appreciates sound and film technique attributed to Mr. Hitchcock.

Changeling

Angelina Jolie-Action babe and one half of Brangelina. I've never been an uber fan however, I do admire her humanitarian efforts. I recently watched Changeling directed by Clint Eastwood and starring Angie herself. It looked like a decent movie-mother loses son and never gives up her search for him, despite a police conspiracy. To my surprise, I really enjoyed the film and it didn't have the ending I expected it to. I most enjoyed how genuine all of the costumes were. The movie takes place in 1928 and ends in 1935 (if I remember correctly). The fashions change as time goes by and each looks is the epitome of that time period. Clint Eastwood has yet to disappoint me as a director and Angelina has impressed me. My recommendation is see the movie and enjoy : )

Ego Trip

While driving home from a long day of work and classes, I happened across an interview of the actor Billy Bob Thornton and his band. I thought the whole thing was ridiculous but apparently it made news:

More news out of British Columbia, actor-slash-drummer Billy Bob Thornton took umbrage at Canadian Broadcasting Company interviewer Jian Ghomeshi Wednesday when Ghomeshi did the unthinkable: introducing him and his band, The Boxmasters, by making reference to Thornton's award-winning career.
First Thornton turned turned sullen. Then he gets petulant at the notion that his hillbilly music was "a hobby." Then he calls out his first love, some poor girl named Lisa. The painful interview goes downhill from there. And finally, while his bandmates look decidedly sheepish, Thornton sticks it to Canadian audiences as "mashed potatoes, no gravy."
Meow.
Billy Bob just pouts and clams up for the first half of the interview, but it all comes out about halfway through when Ghomeshi asks him whether he had a passion for music as a kid. After all, would you ask that question of Tom Petty?
The Province has a video of the interview right here. Watch and miss that Sling Blade fella.
http://blog.oregonlive.com/nwheadlines/2009/04/smokin_stops_britneys_spears_c.html

I listened to the interview and in this blogger's humble opinion, it appeared that Mr. Thornton had a bad case of "ego trip" which can afflict many celebrities. Although this problem is not unheard of, it is without a doubt, unacceptable from people who as professionals are required to promote their latest endeavors. Yes, the Joaquin Phoenix/Letterman debacle was entertaining and perplexing at the same time but a repeat by the likes of another actor-turned-musician is no longer entertaining. My recommendation is to listen to the interview and decide for yourself whether behavior such as this is acceptable.

More than a lighter...

Picture obtained from http://thisdistractedglobe.com/wp-content/uploads/2007/10/Strangers%20on%20a%20Train%20pic%204.jpg

Any Hitcock fan will recognize this lighter from Strangers on a Train by Alfred Hithcock. The lighter has tennis rackets because Guy Haines, protagonist, is a professional tennis player. A to G stands for Anne to Guy. The lighter was a gift from Anne Morton (Guy's fiance) to Guy. The lighter plays a key part in the plot of the movie and also symbolizes the protagonist Guy Haines. In the movie, Bruno, the antagonist and murderer constantly has or tries to maintain his grip on the lighter (Haines).

5 blogs I like

There are a lot of blogs out in cyberspace. A few that I like are:

The Movie Blog:

Economics Of The Movie Theater - Where The Money Goes And Why It Costs Us So Much

By John - October 22, 2007 - 00:31 America/Montreal - 64 Comments

The attention and interest generated by the article I put up the other day on Why Commercials Before Movies Is Worse Than Piracy continues to generate a lot of discussion (and so the topic should). One of the recurring emails I’ve been getting from a lot of people is the question about why it costs so much to go to the movie theater(in light of the commercials and ad revenue the industry is making for itself), where does the money go and how do we make this stop?
Much of what I’m writing here now is a lot of paraphrasing from a chapter in my abandoned book project from a few years ago. But here’s the gist:

1) Who Gets What From Your $10 Ticket?
Ok, so you walk up to the box office and drop down your $10 to buy your ticket. Who gets that money? A lot of people assume (as did I at one point) that the movie theater keeps 50% of it, and the rest goes off to the studios. That’s not really true.

Most of the money that a theatre takes in from ticket sales goes back to the movie studio. The studio leases a movie to your local theater for a set period of time. In the first couple of weeks the film shows in the theatre, the theatre itself only gets to keep about 20% - 25% of the green. That means, if you showed up to watch Bridget Jones’ Diary on opening night, then of the $12 you put out for a ticket, the movie theatre only got to keep between $2.40 and $3.00 of it.

That’s not a lot of money, especially when you think about how much bigger and elaborate theatres are these days. It’s not cheap running one of these places. It can get even worse. This percentage will vary from movie to movie depending on the specifics of the individual leasing deal. For instance, 2 movie theatre managers told me that for Star Wars Episode II: Attack of the Clones, the studio took 100% of the box office take for the first week of release. Can you imagine that? They had to over staff and have above normal capacity flood into their theatres… and they got to keep $0.00 from the ticket sales. That almost seems criminal.

Now, as you move into the second and third weeks of release, the percentage starts to swing to anywhere from 45% - 55% that the theatre gets to keep. It gets better after the fourth week when theatres generally can keep up to 80% or better of the ticket sales. There is an obvious inherent problem with this arrangement. I don’t know about you, but when I finally get around to seeing a film that’s already been in the theatres for 4 or 5 weeks, I’m usually one of the only people in the place. It doesn’t do the establishment a lot of good to keep 80% of the ticket sales when only 14 tickets are sold per show. And with more and more and more movies getting released every week, the length of time that a movie stays in theaters is shrinking. Bad news for the movie theaters.

Movie theaters are then forced to really make their money off concessions. One theater manager said “We’re not in the movie business… we’re in the candy business”. Very true. So if you ever wondered why a $0.15 bag of popcorn is costing you $5, and a $0.08 cup of Coke is running you another $4… it’s because the economics of the industry system is so screwed up that the concession stand is where theaters have to make most of their money.

2) The Cost Of Making The Movies
With the cost of today’s movies getting higher and higher, the studios leverage their position with the theaters to squeeze more and more out of the arrangement mentioned in point #1. 10 years ago they weren’t paying Chris Tucker $25 million dollars for one movie… for 3 months work… a hack… CHRIS TUCKER… $25 million. Superman Returns did NOT need to cost $200 million to make. Spider-Man 3 did NOT need to cost $250 million to make. These numbers are astounding when you consider that just 7 years ago they would have called you mad. The pace of costs is far outpacing the requisite inflation… and there is really no excuse for it.

This is directly tied to how much you and I pay at the box office, and thus tied to why popcorn has to cost so much, and thus tied to why we see commercials. The higher the costs go for for making films, the higher my costs will be to enjoy a night at the theater. Sure, Transformers made tons of money… but the studios have to squeeze us for everything they can get to make up for their flops… their films that DON’T make money.

And people always wonder why I get so pissed off whenever I think about Chris Tucker getting $25 million. Because ultimately that money (at least in part) is coming out of my wallet.

3) The Organism of the Studio/Theater Relationship
To really make sense of all this, you have to step back and look at the Studios and the Theaters as one industry entity and view it from the perspective of how the parts work together to truly get a grasp on how big and out of control the problem is. You can’t just try to blame the Studios… nor can you just blame the Theaters. You have to look at them both (in this situation anyway) as one industry… how it functions… and ultimately how it affords its mistakes and inefficiencies at our expense.

The studios spend too much money making movies (and make too many movies), they squeeze as much box office revenue as they can from the Theaters thus forcing the theaters to charge us high ticket prices to make what little they can from each ticket, gouge us at the concession stand to make ends meet and show commercial after commercial after bloody commercial to pad some profit.

Do you see what happens? Look over #3 again. Ultimately, the studios don’t have to learn from their mistakes, theaters don’t have to manage themselves smarter… because as costs and losses and expenditure add up… they just keep passing off the bill to us. We pay for their mismanagement and spiraling costs. Why should they change anything or fix anything when they know that we’ll just pay more to make up for their mistakes.

We pay for their mismanagement with our high ticket prices.

We pay for their mad decisions with $6 bags of popcorn

We pay for Chris Tucker’s $25 million paycheck with our time watching in-theater commercials.

All the while the industry continues happily along its downward spiral feeling no ill effects of their stupidity… because they’ve taken those ill effects and shoved them up our rectums for US to deal with.

4) The Solution Has To Start With The Theaters
If this insanity is ever going to stop… if change in the economics of going to the movies is going to ever happen, I’m convinced it will have to first start with the theaters. Movie theaters have to better organizes themselves and collectively stand up the the Studio system and REFUSE to let 80% of the box office dollar for a films first week of release go flying out the door to Hollywood. By not standing up collectively, the movie theaters act as complicit enablers to the studios behavior.

WHAT WOULD HAPPEN IF THEATER OWNER ASSOCIATIONS REFUSED TO GIVE ANY MORE THAN 50% OF OPENING WEEK BOX OFFICE MONEY TO THE STUDIOS? I’ll tell you what would happen:

a - Studios would be forced to SERIOUSLY look at their own economics and financial responsibility. There would be no more $25 million dollar pay days for B string actors

b - Theaters would actually start making some money on… you know… MOVIES

c - With added revenue from the actual box office, the pressure on theaters to add more ads, to raise ticket prices, to jack up popcorn costs… would be at least a little bit alleviated.

It has to be a collective effort by the theater owners or else the studios will just refuse to give their movies to the stubborn theaters and give all the business to others. If the Theater Owner associations collectively said “no”, the studios would have no choice but to start to fix their leaky boat

5) Why Not Going To The Theaters Won’t Fix The Problem
Some people will say “Well then let’s not go to the movie theaters until we force them to change”. That will NEVER work, because as I’ve demonstrated above, when there are financial losses, the current industry system just takes back those loses from those who are buying the tickets. They’ll blame piracy for the dip in thater attendance and raise prices even more. It’s a systemic problem.

And if you think you’re safe from these rises and gouges because you just watch movies at home on DVD…. guess where the systemic problem will strike next once they’ve bleed the theater goers as much as they possibly can? DVDs and HD discs will suddenly start costing $60 a shot and Hollywood will pressure Washington to pass tax laws on Big TVs to pay a fee to the studios for each unit sold, thus raising prices there too.

You see… the answer to all the current systems problems is to take more from us. Thus, the system itself has to change, the the theaters are the ones who have to start it.

(Blog excerpt from http://themovieblog.com/2007/10/economics-of-the-movie-theater-where-the-money-goes-and-why-it-costs-us-so-much)

This is just a sample of The Movie Blog which does a great job of reviewing movies, movie news, and breaking down information about the movie industry. Now we know why a box of sourpatch kids costs $6 when you can buy it at a store for $2.50.

Another blog I'm fond of is MTV Movies Blog:


Robert Pattinson in Exclusive ‘Little Ashes’ Clips: What Do You Think, Twilighters?
Published by Larry Carroll on Monday, April 6, 2009 at 4:19 pm.
If you haven’t already, be sure to head over to the MTV Movies page to see our two new exclusive clips from “Little Ashes,” the eagerly-anticipated Robert Pattinson drama that hits theaters next month. After months of reading about the film and studying the trailers closely, the scenes give us our best look yet at the transformation of RPatttz.
I’ve gotta say: I’m pretty impressed. As much as we all love to talk about Rob around these parts, the fact is that little is known about his actual acting talents. He was fine in the “Harry Potter” films, and obviously got the job done in “Twilight,” but until an actor has the chance to show off some versatility, it’s hard to speculate on his long-term prospects.
Nevertheless, even the haters have to respect RPattz for taking on such a daring role. Most teen idols would never go anywhere near “Little Ashes,” if only for fear of being taken seriously while wearing a Salvador Dali moustache. Factor in the accent, the fact that it’s a period film, and Dali’s gay romance with poet Federico Garcia Lorca (Javier Beltran), and Rob seems like the kind of brave young actor who is all too rare in Hollywood today.
A quick tale, without naming names: Once upon a time, I wrote a story on a certain teen heartthrob. In the article, I mentioned that the teenager was chain-smoking cigarettes on the set, because I was trying to convey his desire to be taken seriously as a grown-up actor. Within hours of the story going live, I was inundated with phone calls telling me I needed to take the story down or I’d ruin his image.
Due to that, perhaps, I’ve gotta say it’s cool to see a clip that has RPattz unapologetically dangling a cigarette from his mouth. This is a grown-up movie about a grown-up subject, and RPattz’s lack of desire to “manage” his image speaks volumes about how far he might go as an actor.
(Exerpt from http://moviesblog.mtv.com/2009/04/06/robert-pattinson-in-exclusive-little-ashes-clips-what-do-you-think-twilighters/)

The MTV Movie Blog always has breaking movie news. Also, they have information of various types of movies. Granted, Rob Pattinson is mainstream, however the story of Salvador Dali is now mainstream. For those out there who don't know who that is, he's a Spanish surrealist painter. It will be interesting to see how the movie Little Ashes appeals to Twilight fans.

Another blog I like is Screen Rant:

Fast & Furious Review
April 6, 2009 by Kofi Outlaw
9 Comments
Rating:3 out of 5

Short Version: It’s The Fast and The Furious franchise we’re talking about here - either you already love it or already hate it for what it is, and Fast & Furious will do little to change your mind either way.
Screen Rant Reviews Fast & Furious
By now you should know exactly what The Fast and the Furious franchise is all about: Candy-colored cars, candy-colored babes, tough guys performing crazy racing sequences and somewhere in all that eye candy, something of a plot. The franchise’s fourth installment, Fast & Furious, tries to show a little growth by injecting a “serious” plotline into the mix, but as is the case with every other installment of the series, that plotline falls way behind the pretty cars, pretty people and pretty crazy car stunts fans have come to love.

Yet another reliable site for movie reviews and movie news.

Another Old Movie Blog is exactly what its name says. It reviews old movies, some this movie lover hsn't heard of. It's refreshing seeing review of old movies and other subjects like:

Donald in Mathmagicland (1959)
“Donald in Mathmagic Land” (1959) makes math beautiful, sings hosannas to the orderliness and sense of logic that is the foundation of beauty in art, in music, in nature, and in human beings.A tall order, but Donald Duck handles it well.Here, the irascible Donald is an Everyduck, marching resolutely through the ominous world of equations and square roots, on a journey through time and space to show us the roots of civilization, the beauty in mankind as expressed through math. We even are shown what infinity looks like. Only in a cartoon can you see what infinity looks like. Some boxes and some squiggles that keep repeating themselves. That’s about it, really.Live action scenes of flowers, and of the natural world, and of a fellow giving a billiards demonstration according to mathematical logic are mesmerizing. The lulling voice of narrator Paul Frees is also mesmerizing. I raise this 27-minute cartoon for discussion today because of its remarkably quiet and serene exploration of a seemingly mundane subject, math, and turning it into a compelling journey of the mind. But it’s the lulling and the mesmerizing aspect, above all, that fascinates. It’s a world where everything, from art, to science, to music, to the human body, takes its beauteous form according to logic. Most majestically and most mercifully in an otherwise chaotic world, here…everything…adds…up.

I doubt any other blogs are this diverse.

This next blog is not about movies but it is amusing. I've been a tennis fan and a Roddick fan for years. Andy Roddick happens to have a blog and in addition to updates on matches he has a section for Fine of the Week, Butthead of the Week, and the Self Chuck:

Before I get to the awards I want to thank all of you for your support… I hope you have a great holiday season, and a memorable 2008!!!!
Butthead of the week— a couple weeks ago I read about some guy who tried to open a bank account with a million dollar bill…………………. really?????
Self chuck of the week— I also read that somewhere in Australia they banned Santa Claus from saying ho ho ho, because it was degrading to women…. come on!!! Whats next? Rabies shots for the Easter bunny? Ridiculous…primarily because the kids who are into Santa don’t even get why it would be bad to say ho ho ho…if you are against Santa being able to say ho ho ho…… wall!!!
Fine of the week— in the holiday spirit I am gonna spare Ginger this week Merry Christmas g!! ha ha
(Excerpt from http://www.andyroddick.com/headlines/2008/01/04/december-2007-blog-2/)

Om Shanti Om

Here's an example of authentic Bollywood. They usually feature dance numbers similar to this:

Welcome to Bollywood

Lately I've seen a lot of India in movies and film. This is best reflected by the movie Slumdog Millionaire and the 81st Academy Awards. The movie had 10 nominations and won 8 Oscars. I loved the movie and think everyone should see it. It's more violent than I expected it to be but overall it tells an inspirational and engaging story about a young man from the slums, Jamal (Dev Patel) who is on the Indian version of Who Wants to be a Millionaire. I'm going to leave it at that because I read too many reviews of the movie before I saw it which slightly ruined the movie for me. Regardless it was great and you should rent/buy it!

In addition to Slumdog Millionaire, other mainstream movies have appeared in Hollywood with an infusion of Bollywood. For those who don't know, Bollywood refers to the film industry of India which actually puts out more movies than Hollywood. A few good western films with Indian infusion are:
picture from: impawards.com

Bend It Like Beckham- Movie about a daughter from a traditional Indian family in England who rebels by joining a women's soccer team. Director: Gurinder Chadha, Starring: Parminder Nagra (ER), Keira Knightley(The Duchess), Jonathan Rhys Meyers (The Tudors).

Bride and Prejudice - Bollywood take on Pride and Prejudice by Jane Austen. Stays fairly true to the story except for the spontaneous dancing and singing. Director: Gurinder Chadha, Starring: Aishwarya Rai (The Pink Panther 2, Mistress of Spices) and Martin Henderson (The Ring).

If those movies strike your fancy or if you like Slumdog Millionaire, definitely check out The Namesake directed by Mira Nair and starring Kal Penn. If you want more authentic bollywood, check out Om Shanti Om, Salaam-e-Ishq and Jab We Met. They are comedies and can appeal to everyone.

While everyone will be exploring bollywood, I'll will be making the crucial decision: Should I buy Slumdog Millionaire on DVD or Blu-Ray?

The Beginning

When asked about my passions and interests, dozens of diverse things pop into my mind. How could I possibly choose one thing to blog about? I thought long and hard and realized, one of my biggest interests is movies/cinema. The reason I fell in love with movies is they allow anyone to escape. This aspect of cinema was important during the Great Depression. Because of the economic times right now, I wonder if movies and cinema have the same affect.

I love the fact that regardless of age, gender, race, etc. anyone can enjoy a movie. Not everyone enjoys the same movie and what makes a good movie is debatable. Note: If there is a person who can not enjoy any movie out there in the world, I would be intrigued and I'd like to know why.